An intricate and unusual 7-loop braid —the word for braid was spelled some funny ways in the 17th C. manuscripts— is the basis of the 14-loop alphabet braid.
Joy Boutrup described this 7-loop braid in her recent groundbreaking analysis of the 17th C. letter braids.
The braid was referred to as “spanish” in the original (English) manuscripts. Spanish braids were a mysterious class of 5- to 7-loop braids that Noémi Speiser had trouble decoding, since the directions in most of the 17th C. braiding manuscripts tended to be about as clear as mud– on the order of :
“Do the spanish breadth, but without taking the private stitch.”
(It’s incredible how many obscure braid instructions she and now Joy Boutrup have been able to figure out!)
The 14-loop letter-braid of my two previous posts is a doubled version of this spanish braid. To make it, two braiders work together, each one braiding a 7-loop spanish braid, and then trading their nearest index-finger loops after each braiding cycle.
Having made a few of the 14-loop letterbraids–carefully following Joy Boutrup’s charts for the letter-shapes–I got curious about how the braid would look without the letters.
I decided to start with the component 7-loop braid. (The only difference was that I turned all the loop transfers—since I wanted a solidly rectangular braid-shape rather than the two-divided-layers of the letterbraid version.) Seven loops, bicolor, in just two colors. You don’t have to use bicolor loops to make this braid, btw, I was just curious to see what patterns they would make. First I made a few pattern samplers of the 7-loop braid, then I made a sampler of some of those patterns doubled into a 14-loop braid.
In making a spanish braid, the braider makes 4 different loop transfers in each braiding cycle—compared to the two loop transfers of a square braid. Even though the 7-loop spanish braid was traditionally made by a single braider, its structure—the “architecture” of the braid—is similar to the 2-braider, doubled square braids of 10 loops in the old braiding manuscripts, the ones called “purse-string with the wave” or “with crowns”, etc. The old documents didn’t have a general term for these braids, only for some of their color patterns. I’ve been calling them double braids since they can be made in many shape variations, including hollow, wide and flat, a tube-within-a-tube, etc—not just the rectangular shape that “double-square” would imply.
You can see two traditional double braid color patterns in my two 7-loop samplers (see above). The sections with lengthwise bands of color are like the “Edge” pattern, and there’s a slightly lopsided “Crowns” pattern—lopsided because of the odd number of loops.
The only thing I varied was the dark/light arrangement of loops at the beginning of each pattern, the braiding method is the same throughout all the patterns.
I liked the 7-loop braid variations in themselves, but it was really fun to see how they came out when doubled into a 14-loop braid. Whole new patterns emerged. I’m starting to think about making a long, less crowded sampler in heavier yarn for an instrument strap that a friend has been requesting. There are still more patterns to try….
Colors are reversed on the back of the braid.
Even in a square braid there’s always a slight widening of either the top or bottom surface of the braid depending on which direction you turn your loops—turning them from above makes the back wider, turning them from below makes the top wider (see pics above). It gives this braid a tendency to curve a little. I think that’s also why the weave looks different on the two sides. I should probably try making some samples with half of the loop-transfers in each cycle turned from above and half from below. [see footnote below] This is not a very appealing idea… I’d much rather try some more color patterns! I also want to try doubling some of these same patterns, but off-center so they don’t have mirror-image symmetry.
2-14-12 New info: it turns out that indeed the braid will be completely straight in cross-section if all the loop transfers on the left side are turned clockwise and all the ones on the right are turned counterclockwise. Or vice versa. Thanks to Gary in the Canary Islands for pushing me to confirm this!
This means a completely even mix of turns from above and turns from below on both sides of the braid. On the left half of the braid, all the loops that are being pulled toward the right will get a turn from above, while all the loops that are being transferred toward the left will get the equivalent of a turn from below. In both of these cases the resulting turn is actually in a clockwise rotational direction, as seen from the braider’s point of view. The opposite will hold for the right half of the braid. This principle holds even for the component 7-loop braid–
in fact so far I’ve only tried this on the 7-loop braid, haven’t actually warped up and made my 14-loop trials yet. [Yes, same result with the doubled braid.] But the results are very conclusive with the little 7-loop braids, they are so straight, with such neat, squared-off edges when the turns are done this way… And I had already found this to be the case with my “Rainbow Girl” braids, which have even more loop transfers per cycle than the 14-loop doubled spanish braid.
I don’t know why I was so reluctant to try this out initially! It’s very simple to do, no big deal, and makes a big improvement in the appearance of what are already very attractive braids.
© 2011–2013 Ingrid Crickmore
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Updates — My next post “Why Spanish?“ has instructions, now including a video tutorial, for the 7-loop Spanish braid. It’s just for the braiding moves—you would still need Boutrup’s letterbraid monograph, and a braiding partner, to make the letter-shapes. (There’s a chart for each letter that shows when to turn which loops). I made the tutorial in order to help people with the instructions in the Boutrup/ Speiser monograph. The instructions are ‘lean,’ and assume a familiarity both with loop braiding, and with interpreting written instructions for loop braids. That’s because the monograph is meant to be an addendum to Speiser’s OEPBforLB (see below) which does have detailed loop braiding instructions.
European Loop Braiding: Investigations and Results–Part II Instructions for Letter Braids in 17th Century Manuscripts by Noémi Speiser and Joy Boutrup
[Parts I and II are separate publications---II is the one on letter braids. Available from BraidersHand. They are supplements to OEPBforLB, with new research and discoveries] —NOTE: Vol.s III and IV are now out, but I haven’t read them yet—will be buying them in Aug at Braids 2012.
Noémi Speiser’s Old English Pattern Books for Loop Braiding, 2000 —link to my review of this book, as well as her Manual of Braiding.