Bicolor loops are loops made out of two colors, tied or linked together. They can create very different braid patterns than the patterns you can get from single-color loops.
With bicolor loops you can also make really dramatic pattern-changes in your braid. And not just in these mega-loop braids that I’ve been posting about lately. Here’s another one, though: (click twice on any photo to see the braid structure)
I promise I won’t post any more Spanish bicolor samplers! [this was the third consecutive post on my blog showing bicolor Spanish braids!]
Before I leave them though, I’m posting this booster for bicolor loops (and a tutorial, see below). Bicolor loops add so many patterning possibilities to any kind of loop braid, which is why they have been used worldwide in connection with both fingerloop and hand-held loop braiding. In the old English braiding manuscripts they were called departed bowes, or boes—a bow being a loop.
A bicolor loop is simply two lengths of yarn of different colors tied together at each end. That’s what makes the magic: as you braid, every time a loop is turned the opposite color emerges on the braid. These color changes can line up on the braid to create interesting patterns. And those patterns can be altered very easily mid-braid (another magical thing about bicolor loops).
A 5-loop square braid can have fantastic color pattern variations with bicolor loops. Even a simple 3-loop braid looks great with bicolor loops:
Bicolor loops are the easiest way to get lengthwise color stripes in a square or rectangular loop braid. This is always a striking look–at least to a braider. Since braids are made on the diagonal, you just don’t expect to see up-and-down vertical striping. It isn’t possible when you use loops of single colors (unless you get into more complicated stuff like linking loops within the braid).
[See mini-tutorial below for braiding the lengthwise stripe ‘Edge’ pattern and two variations]
I love lengthwise striped braids for tying knots, really brings out the shape of the knot:
With bicolor loops it’s easy to dramatically vary the color pattern mid-braid.
It can be very eye-catching on a braid to have one or two bicolor color patterns separated by the lengthwise striping pattern that I call ‘Edge’.
You can also get interesting patterns by mixing bicolor and single-color loops:
In the photo above, any lengthwise stripe of color down a braid was created by a certain set-up of bicolor loops in the braid – just one of many possible bicolor loop patterns.
All are square braids except for the black/white/gold braid.
[The black/white/gold braid is a hollow double braid of 8 loops – the set-up for that particular pattern is included in my hollow double braid tutorial.]
[The mixed bicolor/solid-color loop square braids in the photo are taught in More square braid color set-ups.]
With certain so-called unorthodox braids, if you use bicolor loops and make all the loop transfers without turning the loops (unreversed/ open), you can make braids with completely different colors on the bottom and top surface of the braid:
The video in An Unorthodox Braid Tutorial demoes how to make a 7-loop version of the above braids (with black and white on top, and a lower layer of blue).
If you already know how to fingerloop braid but haven’t played around much with bicolor loops, try it now:
Set up for a square braid, using whatever number of loops you are comfortable with, all loops bicolor (dark-light) and of the same two colors.
Easiest set up: Cut 5 lengths of dark and 5 of light (for a 5-loop braid), then tie 2 at a time together at one end (use an overhand knot, not a square knot).
Then take all the untied ends together and tie them into one big overhand knot–that will be the top of the braid.
I like to use a larks-head knot “lasso” to fasten my loop bundle to a fixed point, because it’s easy to remove later:
Fasten the header string onto a fixed point.
‘Edge‘ pattern: (this color-pattern was called “lace Bastonne” in 15th C. loop braiding manuscripts)
Set up the loops on your fingers such that the loops on one hand have all dark shanks in upper position on your fingers, and the loops on the other hand have all light shanks in upper position.
Start braiding a square braid–all loop transfers turned (reversed/ crossed)*.
[see my 5-loop introductory video tutorial here]
By the way, if you happen to use the A-fell loop braiding method for square braids (index finger reaching through ALL the loops of its own hand to fetch the opposite hand’s c- or d-loop), you can use that method instead of the V-fell method I show here. If you braid slentre-style (palms facing the floor), just make sure that you poke the index finger through BOTH/ALL the other hand’s closer loops on the way to fetching the far one–that’s how a square braid is made.
Like magic, each loop will turn dark-shank-up when it arrives on the ‘dark loop hand’, and turn light-shank-up when it goes back to the ‘light loop hand’. And along the developing braid you’ll start to see lengthwise dark and light stripes along the 4 ridges of the braid. (beautiful for a drawstring that will be knotted, or for any kind of knotwork). In the old English loop braiding manuscripts, braids with this type of lengthwise striping were sometimes called “Bastonne,” or “Bordered,” or “with the Edge.”
Below is a video showing a variation of this pattern in a 3-loop braid—here two of the bicolor loops are black and red, and the third loop is black and yellow:
Getting back to our 5-loop sample braid:
A really effective color-pattern variation is to have just one loop (any loop) out of order from the Edge pattern setup. You can start a new braid off this way, or switch to this pattern from doing the Edge pattern. The cleanest way to switch is to make one (and only one) loop transfer “wrong”– ie when you take the loop with the other hand, don’t turn it as you normally would for a square braid, instead take it unreversed/ open/ unturned*. (Choosing to take a loop “wrong” is actually an example of consciously using ‘pick-up patterning’ to create patterns!) Alternatively you could just take any of the loops and turn it manually on its finger so the “wrong” color is uppermost. Then keep braiding normally and a pretty contrast pattern will emerge on the braid. I call it the “one-loop-wrong” pattern.
To get back to the “Edge” pattern of lengthwise striping, wait til the out-of-order-loop is about to be transferred, and, again transfer it “wrong”–without turning it*. Voila, you’ll be back to all dark up on one hand and all light up on the other. More than one student has pointed out to me that with bicolor loops, two wrongs do make a right… (Sorry!)
The 2nd variation in the picture above is one you would get if you began braiding with dark (or light) shanks in upper position on both hands. For an in-progress 5-loop braid, you can switch to it from the “edge” pattern in two ways: either by turning loops on your fingers until all the dark shanks are down (or up)—or by making the first, third, and fifth loop transfer with no turn. That equates to the first three transfers from ONE hand, say the left, while all the right hand transfers are done normally (with a turn).
For a 7-loop braid, you would make the first four loop transfers (off one hand only) unturned, alternating with regular turned transfers from the other hand.
If you had started out by using an even number of loops to braid with, you could also switch to alternating dark-light order in your braid (by taking every other loop unturned), and get alternating dark-light ‘zebra-stripe’ chevrons on your bicolor braid–see the yellow and black lanyard braid picture again. In that lanyard braid, I used 6 loops in order to be able to do the alternating dark-light pattern halfway up on the far right side of the photo:
That alternating dark-light pattern doesn’t require using bicolor loops, actually. It can also be made with 3 single-color black loops and 3 single-color gold loops, set up in alternating dark-light order (but see my Color-Planning post for how to set up an ‘alternating’ color order onto your fingers—this isn’t necessarily obvious). However, the “edge” pattern and others would not be possible with single-color loops.
Transferring loops “wrong” is the key to smooth pattern changing with bicolor loops. If you made all your loop transfers with no turns for a long stretch of the braid, your square braid would divide into two layers (great for a buttonhole or loop) but just a few unturned loop transfers won’t show up as a visible opening through the braid. The alternative—manually turning loops on your fingers to all be in the correct color-arrangement for the new pattern—might leave a little bulge or other mark at that point in the braid, not really a big deal.
Figuring out which loops to turn “wrong” can be tricky with some patterns, but not in getting back to the Edge pattern—you just aim to have all light shanks up on one hand and all dark shanks up on the other, and make your loop transfers turned or not turned accordingly until you’ve reached your goal. Even if one loop gets by you and ends up with its light shank up on the dark-loop hand, you can catch it on the next round (when it’s time for that loop to come back over to the light-loop hand), and transfer it without a turn then.
After following the tutorial above, try using a third contrast color, and otherwise following the instructions above for the ‘Edge’ pattern. Use almost the same loop set-up, except put 2 contrast single-color loops (both the same color) together on the right hand.
For a 5-loop braid, those two single-color loops would be the only right-hand loops, with 3 bicolor loops on the left hand.
For a 7-loop braid, you would have 4 bicolor loops on the left hand, 2 contrast single-color loops on the right hand (next to each other) plus one bicolor loop as well. Make sure that the one bicolor loop on the right hand is in the opposite dark/light up/down set-up of the 4 bicolor loops on the left hand.
After that, try using 3 contrast single-color loops and only two bicolor dark-light ones. Start with the three single-color loops on the left hand, and the the two bicolor loops on the right…
My 7-loop square braid bracelet tutorial teaches a multicolor pattern that uses both bicolor and single-color loops–Chevrons over bicolor stripes:
See my post on planning color-patterns—explains how to order the loops on your fingers, to get a particular color-order in the braid. Also shows more examples of bicolor loops in combination with solid color loops, in both square and flat braids.
*reversed (vs unreversed) are the 15th C terms; turned is 17th C; crossed (vs open) are Noémi Speiser and Masako Kinoshita’s terms. I can’t help preferring turned (vs ‘not turned’ or ‘straight’) myself, as it seems clearer than the other two. I cite them all because people have various backgrounds in loop braiding.
These terms refer to how a loop is transferred from one hand to the other–i.e. how it goes from one side of the braid to the other–whether it goes “straight” across with no turn, or gets rotated in a half-turn so that the upper and lower shanks switch positions. This makes a huge difference to the braid structure–using one or the other, or a combo of the two types of transfers is how you make a braid square, flat, or divide into two braids.
Last updated August 3, 2019
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13 thoughts on “Bicolor loop magic (tutorial)”
You’re welcome. Happy braiding!
Thanks for the set-ups. I’m going to go try a couple. Then I’ll get you some photos.
Hi Ingrid. I love what you’re doing here.
Would you be willing to post the initial setup for the braids in the picture above showing both bicolor loops and solid loops? I particulary like the green, blue, black & white one.
I successfully did the bicolor tutorial. Nice!]
Hi Julie–Yay! Congratulations! Here’s the info on the braids:
Black/white/copper braid(s) are all double braids, rectangular, some hollow in x-section,
which I haven’t taught here yet[black/white bicolor loops plus 2 copper single-color loops] [edited to add links to my new tutorials on double braids]
~see my diagram above for the finger-codes~
Blue/gold with black/white is a 9-loop square braid.
You can do a 7-loop version (with fewer of the black/white chevrons) with the following set-up:
Left hand: A,B,C,D all bicolor blue+gold loops with all the same color shanks in upper and lower position on fingers (all the blue shanks up or all the gold shanks up)
Right hand: A black, B white, C black (all single-color loops)
Then braid a square braid. (any method–V-fell, A-fell or Slentre).
9-loop full version’s set-up:
Left: Thumb black, A white, B black, C white, D black (single-color loops)
Right: Thumb, A, B, C all have bicolor blue+gold loops with same color shanks uppermost on all fingers. Remember, the thumb-loop “upper” shank is the shank that is closest to the other hand! (“upper” and “lower” shanks are held horizontally on the thumb, but still go to the upper and lower surface of the braid, respectively.
Green and purple + red and white braid (I’m glad you like this one–it’s kind of a messy-looking braid, I was a little embarrassed to post it.)
It’s an 11-loop square braid, very similar pattern to the one I just described.
Substitute green + purple for the bicolor loops and red and white for the single-color loops. With an 11-loop version, don’t use a mix of fine linen and high-twist silk for a pattern like this (single colors alternating)… Turns out that’s what made the pattern so messy–works ok with slightly heavier cotton but with this mix of fine silk and linen, a single loop can slide down into the surface of the braid and ‘disappear’ temporarily! For fine slippery fibers in ‘too-many-loop’ square braids I recommend using at least 2 adjacent loops of the same color rather than one loop by itself.
I would love to see pictures of your braids, Julie! If you make some you wouldn’t mind sharing on this blog, send me an email with the photos attached. Happy braiding!
Thanks, Doug, I’d love to have a copy! I’ll email you.
Hopefully, your time off was pleasant. Everyone needs it to be at their best.
The 4-loop pattern is taken reversed from the bottom, that way it has a twist that brings it into the center of the braid, that could be what makes it more triangular. It was this braid that really got me thinking about what happens when a particular move is executed, and how that creates the pattern, lots of interesting musings while braiding…
The 6-loop treated as a 5-loop square comes out with one rounded edge on the triangle, which side has a pattern distinctively different from the others, quite intriguing – and I’m still trying to think of a use for it.
Still not a lot of luck on the bird pattern front, and I’m still trying to convince myself to break down and buy the Letterbraid book – hard to do on unemployment though…I agree that’s probably where I need to be looking – and I’ll probably have to chart a design myself, based on how the letters are generated – fortunately, I’ve worked out a way to do the 14-loop pattern needed for that by myself in the A-fell method, challenging but very fun. I do have one pattern that generates a thunderbird design (upswept ‘wings’) on a round braid, I’ve dubbed it the ‘Spiaggian Eagle’, in honor of the SCA group I belong to. I have the pattern written up in a Word document. If you would like a copy, I can forward it to you off-list.
Hi Doug, I’m sorry it took me so long to reply, I’ve been away from my computer almost a month. Your 4 loop braid sounds really unusual, I’ll have to give it a try after I finish unpacking. It’s not an orthodox twill one, that’s clear from your description. A lot of unorthodox braids end up beveled or triangular, but yours sounds more unusual than even the “regular” unorthodox braids! When you take the loop reversed/with a turn, do you take the top shank from ABOVE the loop, or do you take the bottom shank from BELOW the loop? Doesn’t matter with orthodox (square) braids but it can make a difference with unorthodox braids in how the final shape turns out. I’ll try both ways but am curious how you did it.
I’m surprised your 6-loop square braid ended up triangular or rounded—they’re usually 4-sided. But if your operating finger skips OVER any of the loops on the way towards fetching the active loop (i.e. instead of going through ALL the intervening loops), you will definitely get a triangular or rounded-top braid–that’s the classic unorthodox braid, usually D-shaped or triangular. There’s a 5-loop version in the medieval braiding manuscripts–called “broad,” I think. (It comes out differently depending on the direction you turn the loops.)
By the way, did you come up with a crow/ bird pattern braid yet? I remembered your question about bird braids when I made my post about teaching double braids at Braids 2012–a couple of my sample braids have a pattern that looks a bit like that flying-bird rounded M-shape…
I know Dominic was looking for a 6-loop bicolor braid, and it got me thinking about even numbered braids…I played around and made a fun one using 4 loops that winds up triangular! Very simple, 2 loops each of 2 colors. loops on ABC Left and C Right. Using B Right, take C Left through C Right, then Using A Right, take B Left through B & C Right. then shift A Left to C Left and repeat. If you alternate your colors, you get a zigzap pattern, if you gorup them you get a snakeskin-type pattern.
I tried a 6-loop braid, treating it as a 5-loop square braid, and wound up with a triangular-ish braid, it was rounded on one side, square on the others…interesting, I just haven’t thought of a use yet…
well i just finished the piece i was working on – the straps for a ditty bag. i needed clean loops because by interlocking 2 braids i could achieve the 8 foot it needed. loops were okaaay; anyway, decided if i waited for perfect loops (which means really understanding the braid structure), it would never happen. i used your tucking method – badly!
if you want knot ideas there are plenty – would it be possible to have an email address to send photos & tutorial links to? or tell me another way.
one simple one for a stopper is to tie an overhand knot next to a looped end and pass the loop over the knot, tightening the whole thing into the loop. if you’ve understood it you will end up with as perfect a torus as is possible with string-rope.
thanks for the refreshing comments about the website, haven’t updated it in ages and after our interaction and others since my knot madness set in, am thinking that a blog is much more flexible and useful. its been a great pleasure to be helped by so many other workers through the ether.
next week off to france where i will buy tarred seine line – which i’ve been dying to use for months; then to england to pick up gold and silver wire. can’t wait to combine all that in a braid.
I sent you an email, would love to see/post pics of your braids/ fancy work. Your tarred seine twine and gold and silver wire sound very intriguing!
I have to look up “torus”! but if I understand your stopper knot description correctly, I think it is something I sometimes do for closures on bracelets/ lanyards.
Interlocking 2 loop-bundles to braid with is a great way to make a long braid out of two interconnected braids. (I call this a “Handshake start” to a braid)
Two other ways to braid longer loop-braids are:
[I snipped the rest of this overly long reply–it’s covered in a later post: Longer Loop Braids]
Thanks for writing! I’m looking forward to the links and photos…
i’m pasting in Dominic’s comment and my reply below (from another post) since it really relates to this post–just in case others have the same questions:
love your site
i can’t find instructions for a six-loop braid anywhere.
i tried with bicolours doing AR THROUGH B,C,DR taking DL rev. and then AL THROUGH C,DL taking DR rev. but wasnt very satisfactory (want square braid). using hemp so it sticks quite a bit whereas 5 loop is great. what are the 6 loop instructions for sq. braid?
the trouble was i wanted to start with a split braid for a neat loop at the beginning but if you want the bi-loop pattern you always seem to need six loops to avoid a knot at the beginning. am i making sense? do you have any solution – on your photos you often have split-loop at one end of your samples?
you give links to imbric tutorials but it always demands a log in and i can’t find how to register?
Your description is correct for a six-loop A-fell braid.
Ok: Even-loop braids are slightly “off-square,” also the width of the 4 lengthwise “edge” stripes will be unequal. The braid should still look square-ish, though. (The yellow and black lanyard braid in my photo above is a six-loop square braid.)
Try tightening differently. Be sure you are stretching the loops all the way apart, ie until they make an almost-straight line from one hand to the other. Stretch them apart in a smooth arc rather than jerking, and rock/repeat this move a couple of times to gently sock in the interlaced pattern at the fell of the braid. Don’t pull hard, just open widely.
You can’t tighten well if your loops are too long! [see my post on Longer Loop Braids for ways to get around this problem.]
The split braid loop-starts with no loose ends on my samples are a little complicated to explain. [the rest snipped out—covered in part two of that same post mentioned above: Starts with no ends]
It’ll be much easier for now to start with a knotted top of loose ends as shown in the mini-tutorial, and finish the loose ends neatly later. Start with a few cycles of square braiding, then a divided section which will form the loop if you want one (i.e. don’t turn any of the transferring loops for that section), then resume square braiding after making sure that all dark shanks are up on one hand, light shanks up on the other. Then after the braid is done you can undo the initial knot and finish the loose ends in a pleasing way, either by making them into a neat tassel, or by tightly binding/whipping, sparingly gluing, cutting off the loose ends–then covering the stub with an end-cap or with nautical covering-knots.
Let me know if this helps!