This video-based tutorial teaches a 7-loop flat braid with an extra move in some of the loop transfers. I call that extra move color-linking. It’s a way to link loops of different colors, so that whichever color or colors you choose will stay within one narrower section of the braid, instead of migrating across the whole braid.
Color-linking is optional in a braid—it’s a technique that gives you more control over the color patterning. You can choose to do it for the whole length of the braid, or you can stop linking for some sections, or keep linking some of the color groups but not others. I demo linking here in flat braids, but it can be done in other types of braids as well. Linking different-color strands in braiding is not something I invented! It was done in several of the braids notated in the 15th and 17th C. loop braiding manuscripts, as well as probably every other complex braiding tradition, from kumihimo to ply-split braiding.
In the “Notes” section at the end of this tutorial, there are photos and set-ups for two color-linked 9-loop braids, and a 13-loop version, also a photo of a 15-loop flat double braid with color linking.
The samples in the photos were made with embroidery floss, which makes a small, fine 7-loop braid. In the video, I braided with a thicker cotton yarn that’s about equal in size to doubled embroidery floss.
If you haven’t made “regular” 7-loop flat braids before, learn them first, from my “Continue Here” 7-loop square and flat braids tutorial.
Color-linking adds extra moves to the basic 7-loop square or flat braid moves.*
Color-linking, part 1:
Drag the bubble on the timeline under the video to go to the following points:
0:30 Showing the various color-patterns in my sample braid that can be made with the same loop color set-up.
1:07 New technique: Color linking
1:30 How to arrange the loops on the fingers for this braid (2 black, 2 white, 3 bicolor loops)
2:50 Explanation of the braiding moves for a flat braid with color-linking
3:11 Braiding starts
4:25 Braiding moves explained, and continued
8:40 Showing the braid
Color-linking, part 2:
0:00 View of braid sample showing other possible patterns.
1:26 Braiding moves for the 2nd color pattern: no linking on left loops, only on right loops (3-color chevron pattern in the center of the braid, black border on the two edges).
4:15 Bicolor loops have already changed to “turquoise up/ orange down” and are now changing back to “orange up”.
4:55 All colors back in original starting position. Checking for mistakes and looking at pattern in braid.
(I stopped here to hurry on to the next pattern, but this is not enough pattern repeats for a “real” braid! Repeat these moves in your own braid at least several more times to get a good example of this pattern.)
Color-linking, part 3:
0:00 Third pattern–a variation of the second pattern that requires another type of linking: turning bicolor loops twice to keep the same color uppermost.
1:32 How to turn bicolor loops TWICE to keep the same color on top.
2:56 A faster way to make that double turn of the bicolor loops.
5:24 Comparing the last two patterns (taught in this video and previous video-part 2).
7:12 Different appearance of the top and bottom surfaces of the braid
Two types of color-linking
Part 1 introduced the “whole-loop” color linking that I do in all three videos, and Part 3 introduced another kind of linking that is only used when making a turned loop transfer with bicolor loops. (When done with single-color loops, it has no effect on the color pattern.)
That second type of color-linking I also taught previously, in another color-pattern for a flat 7-loop braid. That was in my Color-Pattern Planning post. It was used in the lower braid in the photo below, to create the two lengthwise columns of dark purple and gray (from the purple/gray bicolor loops). The contrasting orange pattern is formed by two single-color orange loops.
Here are the set-up and instructions again for that braid:
5 bicolor purple/gray loops, 2 orange loops.
Left: A,B orange; C,D bicolor, with purple shanks up.
Right: A,B,C all bicolor loops, purple shanks up.
For this pattern, all the purple shanks should be up on both hands, and should stay that way throughout the braiding procedure.
Flat braid, but each time a loop is to be turned, turn it twice, ie give the loop a 360º turn instead of a 180º turn. (This double turn is optional for the all-orange loops—ok to turn them only once.)
Turning the bicolor loop twice causes the upper and lower colors to link around each other, rather than to cross each other. Each color will stay on separate layers of the braid, as in a divided braid of bicolor loops.
In the upper half of that braid, slightly to the right, there’s a short section in which I did not turn loops twice—that’s the section where the purple and gray colors (of the bicolor loops) zig-zag back and forth across the braid instead of keeping to separate columns. That is what makes color-linking so fun—it gives you the ability to play around with the pattern.
Another possibility is to alternate between 2 patterns in a very regular repetition that itself creates an overall pattern. The two braids in the photo below start out with basically the same color-pattern. But in the black and multicolor braid, I periodically interrupted the color-linked columns with 7 braiding cycles of no linking (those are the somewhat M or W-shaped interruptions of the lengthwise pattern).
Setup for both braids in photo above:
4 dark loops of the same color, and 3 bicolor loops
Upper braid’s bicolor loops are pink + green.
Lower braid’s bicolor loops are each slightly different, but each one has a pale cool-color shank and a pale warm-color shank.
Left: A,B dark loop; C,D bicolor loop (warm shank up/ cool shank down)
Right: A,B dark loop; C bicolor loop (warm shank up/ cool shank down)
Left index loop always transferred with a turn, no other transfers turned.
Columns of separate colors:
Braided as in the first pattern in the videos.
Stop all linking for exactly 7 braiding cycles. (A cycle is one left and one right loop transfer—one repeat of all the braiding motions.)
It will take 7 braiding cycles for the dark colors to return to the A and B fingers and the bicolor loops to return to the Left C and D, and Right C fingers. At that point, return to linking at both color-boundaries.
Cool colors and warm colors will now be in opposite arrangement, so will line up on opposite sides of the braid. (To keep them lined up in their original columns, do the no-linking sections of braiding for 14 cycles instead of 7. The loops will then be back in their exact original positions, even the shanks of the bicolor loops.)
The column pattern has a one-cycle pattern repeat, so it can be braided for any number of cycles. The length of my column sections varied from 6 to 8 cycles long. If I had been more careful about counting the cycles while braiding, the spacing would have looked much better!
Starting setups for color-patterns in photo above
No bicolor loops. 2 turquoise, 3 white, 2 golden brown loops.
Left index loop always transferred with a turn, no other transfers turned (both braids).
Left hand A,B turquoise; C,D white
Right hand A,B brown; C white
This is “Set-up 1”— the starting color set-up for all three flat braid patterns in the lower braid.
1st pattern: Both color-boundaries linked (left and right loops, as taught in first video)
2nd pattern (Brown borders, turquoise and white central chevrons): Left loops NO linking. Right loops linked to bring brown loops back to A and B fingers at the end of each braiding cycle.
To return to 1st pattern:
Braid until all colors return to their starting color set-up on the fingers (listed above). At that point, resume linking the left loops as well as the right.
3rd pattern (just above loop/ buttonhole at bottom of braid):
Check to make sure that all your loops are in the starting setup listed above. Then, keep linking the left loops, but don’t link the right loops.
Borders of braid have diagonal brown and white stripes, center of braid is a lengthwise turquoise stripe.
Some of the patterns start with Set-up 1 on fingers as described above.
Others have the opposite starting setup:
Left hand A,B brown; C,D white
Right hand A,B turquoise; C white
(Note: For both set-ups, the three white loops may actually start on Lc, and Rc,Rd instead of on Lc,Ld and Rc—This just affects which side starts braiding the pattern, not the pattern itself.)
The first section of the upper braid has divided and then square braiding with no linking.
Then, in the next pattern the braid opens into a flat braid with no linking.
For those “no linking” sections, the starting set-up on the fingers can be either Setup 1 or Setup 2 above, with identical results.
(from here on the braid is flat)
Next pattern is started when loops have arrived at Set-up 2 position.
Left loops linked, Right loops NOT linked.
Pattern has central brown column, outer turquoise and white diagonal stripes.
Next pattern has same braiding moves, but starts with Set-up 1.
To get from one set-up to the other:
Continue the pattern you are braiding until your loops have returned to that pattern’s “starting setup” position.
Then, braid without any linking until colors on La,b and Ra,b have switched, and white loops are between them.
Next 2 patterns are the same as the first and second patterns in lower braid.
Last 2 patterns are the exact opposite—turquoise and brown must switch hands (braid without linking until they have switched).
Color-linking is my term for a basic color-manipulation technique that is common to many braiding traditions—including ceinture fléchée/ Métis sashes (“finger weaving”), kumihimo, kute-uchi [update: see my more recent Itsukushima braid post for an example], and ancient Andean braids. It was used in some of the medieval and 17th century braids described in the old loop braiding manuscripts, in both forms — turning a bicolor loop twice so the two shanks become linked, as well as “changing” twice—bringing one loop through another and then repeating this so the shanks of two loops link around each other.
See Anne’s note in the comment field below, with a link to a photo of color-linking in a ply-split braid.
In these videos the first color-linking pattern I demo is done symmetrically, on both sides of the braid, whenever a loop from the A-finger (index) passes through the loop on the C-finger (ring finger). I picked this pattern because I thought color-linking might be easier to learn if both hands performed the same motions.
But color-linking can actually be done anywhere in a braid. You can set up your color groups on any group of adjacent fingers, in any numbers of loops that you choose. Linking can occur between any two fingers, or in the center of the braid, between the two hands, as in the braid below:
3 all-navy loops
3 bicolor navy + white loops
1 all-white loop
Left: A white; B,C,D bicolor (white up/ navy down)
Right: A,B,C all navy
Flat braid. Left A loop always transferred with a turn.
Left 4 loops and right 3 navy loops are linked throughout braid.
Because of this, at the start of each cycle the white and bicolor loops are all back on the left hand, and the navy loops are all back on the right hand.
The linking move doesn’t happen until after both the left and the right loop transfers are finished.
Left transfer happens normally (no linking move yet).
La ends up on Rd (with a turn).
Shift L loops and tighten.
Ra is transferred, ending up on Ld (with no turn)
BEFORE right loops shift up, Ld ALSO takes Rd (right little finger loop) and holds it toward the tip.
Now the Rd-finger takes the lower of the two left d-loops and lifts it off and over the upper left d-loop (the one near the tip). This links the two loops and they both end up back on the original hand they started out on, though now on a different finger of that hand.
Shift right loops, and tighten.
The particular motions you use to accomplish the color-linking might look a bit different in different parts of the braid, but the principal is the same: loops of two different colors become linked around each other in order to make a U-turn and head back in opposite directions. They don’t pass straight over/ through each other and keep going, the way they normally would in the braid.
There is always an extra step at some point in the cycle. The extra move brings one loop back through the transferred loop that just came through it. Or you might do it this way: by bringing the just-transferred loop back over/around a loop it just came through—produces the same net result.
Here are some photos of flat braids of more than 7 loops, and very similar color patterns to the ones taught above:
4 green loops, 5 bicolor green + pink loops (I used three different shades of pink, but that isn’t necessary)
Left: Thumb,A,B,C,D all green
Right: Thumb,A,B,C bicolor pink up/ green down
Flat braid. However, for the pattern in the photo, the right A loop must always be transferred with a turn, not the left.
(Or, if you prefer to turn the left loops: Set up these colors on opposite hands. This means you will start each braiding cycle with the left hand as the active hand, and the linking moves will be reversed–as if in mirror-image to the way I described above for the navy-and-white braid.)
[12/30/2013 edited to fix left-right error]
Left and right loops are linked.
4 all-gray loops
5 bicolor loops, each one different.
My bicolor loops were (upper shanks listed first):
The colors of the upper shanks will all line up on one side of the braid, and the colors of the lower shanks will line up on the opposite side of the braid.
Left: Thumb,A gray; B,C,D bicolor (warm shanks up)
Right: Th,A gray; B,C bicolor (warm shanks up)
Braided a bit differently than in the video, as the linking will occur between the A and B fingers. For the first stage of the loop transfer, insert the operator finger through the B-loop, not the C-loop. (Learn 9-loop braiding moves here.)
[Update Feb 9, 2014: I just posted a video demoing how I make this braid]
7 dark loops, 6 bicolor loops (one shank cool color, one shank warm, each loop different colors)
Thumb, A, B dark; C, D-low, D-mid, D-high bicolor (warm shanks up)
Th, A, B, C dark; D-low, D-mid bicolor (warm shanks up)
Linking happens on both the left and right loops, but in different places. On left the color-border is between the B and C loops. On the right hand, the color-border is between the C-loop and the D-low loop—requires a temporary hold of the D-mid and D-high loops for the linking move.
© 2013–2015 Ingrid Crickmore
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